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Files, Artwork and Business

Embroidery Files, Artwork and Business Guides

Learn how embroidery file formats, native editable files, artwork preparation and production workflows fit together before and after digitizing.

Explore File and Artwork Guides

Use these guides to understand native working files such as OFM, EMB and JDX, machine formats such as DST and PES, artwork preparation, conversion and practical business workflows.

Files, Artwork and Business

DST vs PES vs EMB

Compare common machine and editable embroidery formats.

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Files, Artwork and Business

What Are EMB Files?

Learn about the native editable EMB format used in Wilcom and Hatch workflows.

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Files, Artwork and Business

What Is a JDX File?

Learn about Embroidery Legacy's native editable working file and how JDX differs from machine formats.

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Files, Artwork and Business

Embroidery File Format Comparison

Compare native working formats and common machine stitch formats.

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Files, Artwork and Business

Embroidery File Conversion

Understand the difference between file conversion and original digitizing.

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Files, Artwork and Business

Preparing Artwork for Digitizing

Prepare artwork before it becomes a stitch file.

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Files, Artwork and Business

Vector Files

Understand vector artwork, scalable shapes and why clean source art matters.

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Files, Artwork and Business

Print File Preparation

Review practical print and vector preparation before production.

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Files, Artwork and Business

Digitizing for Small Business

Plan a repeatable embroidery file workflow for business.

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Business and Choosing a Provider

Compare Embroidery Digitizing Companies

Learn what to compare when choosing a digitizing provider, including editable formats, specialty work, turnaround and production support.

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Files, Artwork and Business

Jacket Back vs Left Chest

See why a large design may need different construction from a smaller left chest design.

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Files, Artwork and Business

Underlay and Density Overview

Review how foundation stitches and top stitch coverage work together.

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